FilmSchoolRejects.com
Osterman’s film focuses more on the loss and desperation one feels after losing a loved one than on the scares and terrors of their eventual return. That’s not saying Phasma Ex Machina doesn’t have it’s fair share of chill-inducing scenes. It does, and they work beautifully, but they’re not of the violent and shocking Paranormal Activity variety. These are scares of what you once had and of what you may still lose. And of what’s walking around in your basement…
Variety
The rare contemporary screen ghost story favoring a slow build and minimal violence over blunt scare tactics, "Phasma Ex Machina" reps an impressive feature debut for writer-director Matt Osterman.
TheFirstAliCat.com (Audience Member at Fantasia)
This is a first film by writer/director Matt Osterman, who hosted this World Premiere (presumably outside of his immediate family circle and a few critics here and there), and I've got to say, it's perfect. In every way, this is a perfect film - the writing, the direction, the framing of the story, the cinematography, the acting, everything.
eFilmCritic.com
Andreev is particularly good at portraying this particular form of survivor's guilt. There's something a little deadened in his Cody, though not to the point of exaggeration. He presents us a guy who is smart, although not really obnoxious about it, and comes through just about perfectly when it's time for the logical, scientific wall to crack. He plays very well with Hauser, who makes James feel like a real kid, able to hit the lines of a wiseass teenager without contradicting the more serious moments.
Filmbalaya.com
It also has a refreshing and more true-to-life (even in the supernatural realm in which it lives) ending seldom seen in bigger budgeted more conventionalized Hollywood type films. It would be interesting to see what this young filmmaker could do if given a bigger budget. I for one am looking forward to seeing what else he has to offer.